This is what worries me the most with Trivikram. And when a writer does that, to me it means he was not true to his game. I hate it when characters are introduced and/or killed for no good reason because it is the easiest thing to do. ![]() Any twist in the tale required the introduction of new characters, some rather unnecessary. The story was so simple that there could not be any complications woven into its core. Though having a simple story allows the director to focus on other major areas of the film, it comes with a heavy price. The one word I would use to describe it with is – simple. None the less, there was some fresh aroma to the old wine in the new bottle. Yet, this one has a bit of freshness which, I felt, came a little too late (end of first half). Similar concepts have been tried and tested over the years in Tollywood, so nothing genius there by Trivikram. With this backstory I decided to go to Attarintiki Daredi over The Lunch Box. ![]() I remember that day – – the day of my IIT JEE examination (I ended up in BITS Pilani though) when after that dreadful test, I took my entire family of 14 to Jalsa. So, a combination of Trivkram and Kalyan obviously got me excited. And I have nothing against Pawan, infact until a point of time I liked him because he was my namesake. I always liked Trivikram’s direction – so much so that I watch bits of Athadu movie every time (almost) it airs in Maa TV (that would mean roughly 500 times by now). ![]() Attarintiki Daredi (which is the way to mother in law’s house – Wikipedia)
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